Jeanette Winterson is one of the UK's most beloved and challenging writers. This week, Stephanie and Michelle discuss Winterson's long career, from the publication of Oranges are Not the Only Fruit in 1985, to her recent (fabulously titled) memoir, Why Be Happy When You Can Be Normal?Wh
The longlist for the Women's Prize was released on March 8, International Women's Day. This week, Stephanie and Michelle discuss the longlist: the books they've read, the books they want to read, and the snubs.
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Romance fiction is often unfairly maligned as silly and escapist, largely because of its association with a female readership, but in terms of popularity, nothing beats romance. This week, Stephanie and Jimmy discuss the phenomenal power of the romance novel with romance expert Associate Professor Hsu-Ming Teo.
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Kazuo Ishiguro was recently awarded the 2017 Nobel Prize for Literature. This week, Stephanie, Michelle and Jimmy commend the Nobel Prize committee for their excellent choice. They talk Japanese cinema, floating worlds, perfect novels, and Stephanie offends Bob Dylan fans.
Why was the CIA involved in literature? Stephanie and Michelle talk to Dr Alys Moody about the Congress for Cultural Freedom, a CIA-funded group that financed a whole range of literary activities in the mid-twentieth century. They ponder shadowy government organisations, cover-ups, and what happens when a bunch of writers find out that the CIA is funding their conferences.
Paul Beatty's The Sellout and Colson Whitehead's The Underground Railroad are two of the most talked about American titles of the past few years, with Paul Beatty winning the Booker Prize in 2016 and Colson Whitehead taking home the 2016 National Book Award. This week, Stephanie and Michelle discuss The Sellout and The Underground Railroad, and think about why these books have resonated so widely with audiences around the world at this particular moment in time. In this episode, Stephanie predicts that The Underground Railroad will win the Pulitzer Prize, which has now come to pass. Stephanie enjoys being right.