From the Lighthouse is a literary podcast published out of the Department of English at Macquarie University. Your hosts Dr Stephanie Russo and Dr Michelle Hamadache love to talk about anything to do with books, from the latest bestsellers and prize-winners, film and television adaptations of books to bookish news. Join us as we chat all things literary. For more information visit the MQ English Department webpage at www.engl.mq.edu.au
Shakespeare's Macbeth is so good that we can't stop thinking about it, or talking about it. This week, Stephanie, Jimmy and Kirstin discuss the appeal of the Scottish play, as well as the best and worst adaptations.
Join Jimmy Van and Michelle Hamadache as they discuss all things Titus Andronicus. Listen in to hear what they thought of the Bell Theatre Company's Sydney production of the play (not much!), and you'll also get to hear some insights into Shakespeare's original vision for what is a very bloody play. Warning: Both original play and the Bell production are rife with graphic scenes of sexual violence and mutilation. These topics are discussed during the podcast, so please be aware and listen accordingly.
To be or not to be? Is that the question? This week, Stephanie is joined by Professor Tony Cousins to discuss one of Shakespeare's most popular plays. Is this really a play about somebody who can't make up their mind or is it more complicated than that?
Are you a Valentine's Day sap or a grinch? This week, Stephanie, Michelle and Jimmy are joined by Associate Professor Hsu-Ming Teo to talk about all things romance. They discuss Austen, why murder makes romance novels more interesting, why good real estate matters, and Michelle get the giggles over deer.
For more info visit our website at: https://www.fromthelighthouse.org
King Lear is one of Shakespeare's most beloved plays, but also one of his bleakest. This week, Stephanie and Michelle are joined by Shakespearean scholar and Renaissance man, Professor Tony Cousins to discuss Lear, Cordelia, lame eighteenth-century reworkings of the play, and why King Lear became the play de jour after WWII.
